Her mouth lolled open and drool seeped down one corner. The metrical irregularity is intentional, because I want, as it were, to put you apart: to change the lilt and the mood altogether when I speak of you. . They are things faint and slight in themselves, as physical facts, but they are like the detonator of a bomb: they let loose the explosive. ] CHAPTER VIII Slowly Ruth entered her own room. It was a port of call, since fortnightly a British mail-boat dropped her mudhook in the bay. The conversation turned towards the subject of the Diedermayer’s many European vacations. She was very greatly exercised by the two systems of values—the two series of explanations that her comparative anatomy on the one hand and her sense of beauty on the other, set going in her thoughts.
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