One or the other. She felt a cheat and a sneak to his unsuspecting retreating back. Even though the individual faces of her audience were not to be singled out, she had been conscious from the first moment of her appearance that something was wrong. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. The drawers at the moment were too busy to attend to her, and she would have seized the opportunity of examining, unperceived, the assemblage within, through a little curtained window that overlooked the adjoining chamber, if an impediment had not existed in the shape of Baptist Kettleby, whose portly person entirely obscured the view.
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