‘Do not be alarmed, Jacques. Sydney was strumming over a new song which stood upon the piano. There is worse to come. He did make her perceive something of the acute, tormenting desire for her that had arisen in him and possessed him. It seemed to her that her father was in some inexplicable way meaner-looking than she had supposed, and yet also, as unaccountably, appealing. He took her hand and looked into her eyes and spoke, divided against himself, in a voice that was forced and insincere. So, why did you slam the door in John Diedermayer's face?\" Lucy did not look at her, but cocked her head skyward. The thought of their faces, and particularly of her aunt’s, as it would meet the fact— disconcerted, unfriendly, condemning, pained—occurred to her again and again. .
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