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The door into the passage offered itself with an irresistible invitation—the one alternative to a public, inexplicable passion of weeping. She would be surrendering to all her impulses—particularly the good impulses—many of which society had condemned long since because they entailed too much trouble. At this time of universal havoc and despair,—when all London quaked at the voice of the storm,—the carpenter, who was exposed to its utmost fury, fared better than might have been anticipated.
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