The program was to include a Bach cantata, her favorite piece from Rimsky-Korsakov’s Scheherazade, and for the first time ever, a student composition, a Concerto, by a precociously talented fellow student named Martin Chen. He seemed to possess a penetration and cunning beyond his years—to hide a man's judgment under a boy's mask. I had a sort of idea,” he went on, “that you were starting life all over again, and it seemed awfully plucky. Her aunt, a faded, anæmic-looking lady of somewhat too obtrusive gentility, was still sitting with her hand pressed to her heart. We can’t afford to turn our women, our Madonnas, our Saint Catherines, our Mona Lisas, our goddesses and angels and fairy princesses, into a sort of man. ‘Either you tell me why you want the wretched animal, or it stays here.
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