Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. ‘Now then, my girl, why the long face?’ Melusine had no hesitation in placing her trouble before her old nurse, for it was Martha who had made her aware of her true history. How came you, Sir," he continued, addressing Sheppard, "to venture upon that frame. It seemed to make her sister downcast beyond any precedent.
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