“Mean as an old mule, too. Both husband and wife affected an unnatural ease of manner for the benefit of the efficient parlor-maid, who was putting the finishing touches to the sideboard arrangements. While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. ‘Then it must certainly be Eugénie. As the novel grew Ruth was astonished to see herself enter and dominate it: sometimes as she actually was, with all her dreams reviewed—as if he had caught her talking in her sleep.
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